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Remember
From my studio desk.  Cover painting is the Lone Woman, a historically acurate depiction painted for the Santa Barbara Natural History Museum by Holli Harmon. Noticias is a journal published by the Santa Barbara Museum of History.

From my studio desk. Cover painting is the Lone Woman, a historically acurate depiction painted for the Santa Barbara Natural History Museum by Holli Harmon. Noticias is a journal published by the Santa Barbara Museum of History.

As I was sitting down to write this missive, I was stumped.

How do I begin a story that is over 100 years old? The story has not finished yet, we don’t know the ending, or really the beginning. The one thing I do know, is that the Lone Woman, aka Juana Maria or Karana from Scott Odell’s book The Island of the Blue Dolphins, is a very significant person. Her life still has meaning and impact. New information continues to surface, through archeological and digital digging. If you pick up the latest copy of Noticias, from the Santa Barbara Historical Museum, you can learn more about this historic figure.

I had the good fortune to work with the experts who are making new discoveries everyday. They guided me in painting a historically acurate portrait. You can see this painting at the Santa Barbara Natural History Museum in the Chumash Hall.


A new museum, called the Chrisman California Islands Center,

is preparing to open in Carpinteria California.

Currently, I am painting an 8x14 foot backdrop for a diorama that will feature the story of the Lone Woman. Timing is an amazing thing. I loved the historic novel about this brave woman as a child, and now I get to play a part in telling her life story. Time loops in on itself. I continue to learn, and perhaps, more importantly, un-learn more about our First Nations.

When I can’t find the words to say what I want, I go to my poetry collection and get inspired by these word smiths. I found the perfect poem, written by our current National Poet Laureate, Joy Harjo. She is also the first Native American to hold the position. Like I said, timing is an amazing thing.


Remember

by Joy Harjo, poet Laureate

Remember the sky that you were born under,

know each of the star's stories.

Remember the moon, know who she is.

Remember the sun's birth at dawn, that is the

strongest point of time. Remember sundown

and the giving away to night.

Remember your birth, how your mother struggled

to give you form and breath. You are evidence of

her life, and her mother's, and hers.

Remember your father. He is your life, also.

Remember the earth whose skin you are:

red earth, black earth, yellow earth, white earth

brown earth, we are earth.

Remember the plants, trees, animal life who all have their

tribes, their families, their histories, too. Talk to them,

listen to them. They are alive poems.

Remember the wind. Remember her voice. She knows the

origin of this universe.

Remember you are all people and all people

are you.

Remember you are this universe and this

universe is you.

Remember all is in motion, is growing, is you.

Remember language comes from this.

Remember the dance language is, that life is.

Remember.

Mind Mapping and the Artist's Way

Recently a good artist friend introduced me to mind mapping.  It has been a fun way to explore lots of different ideas and get them down visually…and being a person who expresses her ideas with paint, this was a great find.

And my sketch books also become journals, that give me a place to record new ideas and create maps of where I’ve been and where I am going.

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The Pandemic gave us all a big comma in our calendars.  In this universal pause, two art projects appeared in my corner of the world.  First, I created an art installation called The Nature of Clouds.  This was well summarized by Jake Einsiedl at LUM Art Magazine.  You can read the article here. The installation involves electric clouds and kokedama balls.

Secondly , I co-curated an art exhibit called Bio/Mass at the Wildling Museum with Nicole Strasburg. Working closely with Stacey Otte-Demangate and Lauren Sharpe at the Wildling Museum, we gathered a group of artists who have reflected on nature by creating either a large collection of work that reflect a singular point of view, or a massive piece of art, or both.  These artists help us see the beauty in the details of our natural world.

While working on these two projects, I revisited my notes and journals which reignited my fascination with clouds. Luke Howard (credited with naming our cloud systems) , Johanne Goethe and Mark Strand, our national poet laureate in 1990, were so influential in my explorations.  Strand’s poem, 89 Clouds, fit’s right in with our Bio/Mass exhibition description of meditation and multiplicity.  This poem has kicked off a new body of work in my studio.  So here are a few clues….”mass in quantity,” “all clouds have silver linings”, and, “#20. Clouds are thoughts with out words.”from “89 Clouds” by Mark Strand. You may find a hint in the photo below.

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Until, we see each other in person, send me a note and let me know what you are doing these days. I would be happy to meet you at the museum for a tour, if you are so inclined!

Be Well,

Holli Harmon